Jasmine Morand
CRÉATION 2026
Concept & choreography Jasmine Morand
Cast Maélie Palomo, Maxime Jeannerat, Johnson Saint Felix
Assistant Fabio Bergamaschi
Scenography Neda Loncarevic
Construction et engineering Philippe Botteau
Light design Rainer Ludwig
Sound composition Dragos Tara
Costumes designToni
Teixeira
Technical direction & stage management Louis Riondel
Stage management Léo Bachmann
Light & sound management 1 technicien·ne
Administration Valérie Niederoest
Booking & production Florence Francisco & Gabrielle Baille - Les Productions de la Seine
Production & tour management Ana Lagarrigue
Communication Maxime Gauthier
Circus arts consultant Marc Oosterhoff
Production Prototype Status
Swiss and international coproduction (in progress) Théâtre Oriental-Vevey, Scènes du Grütli, Théâtre Benno Besson, L'Arc - Scène nationale Le Creusot, Dansomètre – Espace de création chorégraphique
Residencies (in progress) Théâtre Oriental, Circo Bello, Dansomètre – Espace de création chorégraphique
Supports La compagnie Prototype Status est au bénéfice d’une convention de soutien de la Ville de Vevey et l’État de Vaud. Elle est également résidente
permanente au Dansomètre, espace de création et recherche chorégraphique à Vevey. Pour ses tournées, elle reçoit régulièrement le soutien de Pro Helvetia et de la Corodis.
INSÂN, the being of forgetfulness
I unberned my memory into stone and continue on in getfulness.
INSÂN addresses the question of living memory, inexorably destined for oblivion. Like a mobile suspended in fragile balance between the weight of memory and the lightness of forgetting, INSÂN plays with this dichotomy to sublimate the gravity of bodies and their celestial emergence. The piece unfolds in a landscape of stone and rubble, witnesses of our history as much as of its erasure. INSÂN subtly reflects the harshness of this contemporary reality, where remnants are celebrated with batons. By laying down the weight of our memories upon this ground, could we live more freely, dance more lightly?
NOTE D’INTENTION
We busy ourselves with splitting open the flesh of the earth, bleeding it with the trace of our passing.
In this age of globalization and growth so often entwined with the loss of identity, the fading of memory, stone appears to me not only as tomb, but as something alive: holding within it the comfort of permanence.
To be carried by this granite carpet, resonant with a thousand imprinted steps; to lie down, surrendering the full weight of one’s body to this marble slab that has cradled our ancestors. To taste their past by gathering the breath of their invisible presence. Then, perhaps,I will no longer fear my own
finitude, and I will be able to dance, lightly, upon the stone. Let others remember that once I also passed there
Jasmine Morand
REPRESENTATION DATES
From 7th to 10th May 2026
Théâtre Oriental-Vevey (CH)
©Photo Eliane Gervasoni - Le Grand Cretto de Gibellina - Alberto Burri